Hirokazu Nagata

Chairman, NPO Plus Arts / Planner, Producer

Taking a glance at the timeline mapping the history of the Great Hanshin-Awaji Earthquake relief programs conducted by artists, designers, and architects, one can tell that these efforts are ongoing, right after the devastating earthquake until this very moment. The timeline, while it proves the creators’ dedication for responding to victims who face different changes day by day, reveals that there is no easy way out for the restoration and reconstruction from the tragic event. Such attempt reminds us of the commitment needed for creative projects in disaster stricken areas; they should be extended beyond instant results but for causes that sustainably benefit victims for five, ten, and twenty years.
Further, if we look at each project closely, it is apparent that the nature of such creative projects are also evolving along with the changes of the community needs. Of particular note is the progress in the kind of support provided for victims. Whereas many charity initiatives conducted immediate response focused on emotional care, this has shifted dramatically after a decade, to those aimed at passing the lessons learnt onto younger generations or to people residing outside of the affected areas. In other words, understanding the ever-changing needs of the community and addressing them in the most appropriate way is a matter of utmost importance in developing relief initiatives. In this aspect, the role of intermediary organization capable of deeply analyzing post-disaster community issues while offering support when and where they are needed is essential and holds a key for the development of future relief programs.